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8 Boston museums you can visit for free

The Isabella Stewart Gardner Museum charges $25 at the door, unless your name is Isabella. Then you’re in free for the rest of your life. Most of us weren’t named after a Gilded Age art collector, but almost every big museum in Boston has a way in for free or close to it. You just have to know which night, which card or which library pass to use. Here’s how to get into free museums in Boston, museum by museum. At the Gardner, anyone named Isabella gets in free. Reserve through the box office at least 24 hours ahead and bring ID. Everyone 17 and under is free, every day, and college students pay $15. U.S. military members and their families get in free with the code USMIL. If you have a Massachusetts EBT, WIC or ConnectorCare card, it’s $2 off for up to four adults. Some Boston Public Library branches also carry a Gardner pass that gets up to four people in for $5 total. The museum is closed Tuesdays and stays open until 9 p.m. on Thursdays. The ICA on the Seaport waterfront is free for everyone every Thursday from 5 to 9 p.m., and it’s the easiest free night in the city. You still need a ticket, so reserve ahead. Anyone 18 and under gets in free every day, and so do Boston Public Schools students. The ICA is also free on six holidays: Martin Luther King Jr. Day, Presidents’ Day, Memorial Day, Juneteenth, Labor Day and Indigenous Peoples’ Day. EBT, WIC and ConnectorCare cardholders get in free with one guest. Regular admission at the MFA is $30. On the third Thursday of every month, after 5 p.m., it’s pay what you wish, with a $5 minimum. Tickets are sold in person that day. The next two are November 19 and December 17. Active-duty military members and veterans get in free with up to five guests. Massachusetts EBT and ConnectorCare cardholders pay $3 per adult for up to four, and kids 7 to 17 come free with them. Kids 6 and under are always free. The Harvard Art Museums in Harvard Square are free for everyone, every day. They’re open Tuesday through Sunday, 10 a.m. to 5 p.m. The museum suggests booking ahead on weekends. The MIT Museum in Kendall Square charges $20 for adults and $10 for college students and kids 6 to 18. Massachusetts EBT cardholders get in free with up to three family members. Military members get in free with up to five family members, and Cambridge residents can sign up for a free membership. If you have a Bank of America, Merrill or Bank of America Private Bank card, Museums on Us gets you one free general admission on the first full weekend of every month. In Boston, that covers the MFA and the ICA. Special exhibitions aren’t included. A Boston Public Library card is the best museum membership in the city, and it’s free. The BPL museum pass program gets up to four people into the Museum of Science and the New England Aquarium free. The same goes for the Harvard Museums of Science & Culture and the Mapparium, the three-story stained-glass globe you walk through at the Mary Baker Eddy Library. The USS Constitution Museum pass covers up to nine. You need a physical BPL card, since an eCard can’t reserve passes. You can book one pass a day, and the same pass once every 30 days. The New England Aquarium sells up to four $5 tickets to Massachusetts EBT and WIC cardholders, on any day it’s open. New England residents get $5 off on weekdays. The Boston Children’s Museum charges $1 for everyone on Sundays from 1 to 4 p.m., with an online reservation. Regular admission is $24. If you have a kid in a Boston school, Boston Family Days gets the whole family into the MFA free on the first and second Sundays of each month. Students get into the Aquarium free with two guests on the same Sundays through December. Register through the City first.

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Things to Do in Boston This Weekend

November 13–15

The Boston Art Book Fair opens with a dance party, Phoebe Robinson and Punch Brothers play Friday, Emo Philips is in Davis Square on Saturday, and the Patriots kick off from Munich at 9:30 Sunday morning.

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Where to catch A Christmas Carol in Boston, starting at the hotel where Dickens first read it in America

Boston banned Christmas from 1659 to 1681. Less than two centuries later, it was the first American city to hear Charles Dickens read A Christmas Carol. According to the Omni Parker House’s history, Dickens gave his first American reading of the story privately at the Parker House in 1867, then read it publicly at the Tremont Theatre, and WBUR dates the start of that reading tour to Dec. 2, 1867, in Boston. The hotel still has the mirror he used to practice his reading, and the original door to his suite came back in 2015 and is on display in its History Gallery. This year you can hear the story in that hotel, see it on stage with the voice of PBS’s Frontline as Scrooge, watch the Muppets do it with the Boston Pops, and finish with a toast at taverns that were pouring before Dickens was born. The hotel’s historic Press Room hosts A Christmas Carol readings on Saturday, Dec. 19 at 7 PM and Sunday, Dec. 20 at 2 PM and 5:30 PM. Veteran actor Johnny Kinsman reads the story while vocalist Ann Moss and multi-instrumentalist Justin Ouellet weave in carol tunes and foley sound effects, and Parker House historian Susan Wilson opens with the story of Dickens and the hotel. The show is for ages 6 and up, and refunds are available up to seven days before. That Press Room has its own history, too. The hotel’s timeline says a six-year-old John F. Kennedy gave his “first public speech” there in 1923, and he held his bachelor party in the same room in 1953. The Omni Parker House is running two holiday pop-up bars this season, according to the reading’s event page. Ebenezer’s Bar at Parker’s Bar leans into the darker, Dickens side of the season, and Blitzen’s at The Last Hurrah goes merry and bright. Blitzen’s opens Friday, Nov. 27 and pours daily from 4 PM to midnight, with cocktail recipes from Julie Reiner, a co-founder of New York’s Clover Club and a judge on Netflix’s Drink Masters. The Last Hurrah takes its name from the 1956 novel inspired by James Michael Curley, who was a Parker House regular. Parker’s Restaurant has its own claims to fame. The hotel says the Boston cream pie and Parker House rolls came out of Parker’s after French chef Augustine Anezin was hired to open it in 1865, and JFK proposed to Jacqueline Bouvier at table 40 in Parker’s Restaurant in 1953. Commonwealth Shakespeare Company’s Charles Dickens’ A Christmas Carol runs Friday, Dec. 11 through Sunday, Dec. 20 at the Emerson Cutler Majestic Theatre, with Will Lyman, the longtime narrator of PBS’s Frontline, as Scrooge. Steve Wargo’s adaptation is full of 19th-century carols arranged by Dianne Adams McDowell, the vocal arranger for Broadway’s A Gentleman’s Guide to Love & Murder, and Steven Maler directs. Every performance is open captioned. The Saturday, Dec. 19 evening show and the Sunday, Dec. 20 matinee are ASL-interpreted, and the show runs about two hours with one intermission. Students can get $25 rush tickets in person at the box office starting two hours before curtain, and groups of 10 or more save 10%. WBUR has hosted a reading of A Christmas Carol every year since 2002. This year’s is Thursday, Dec. 17 at 7 PM at CitySpace, 890 Commonwealth Ave., with doors at 6 PM. Steve Brown, Meghna Chakrabarti, Tiziana Dearing, Ben Brock Johnson and Robin Young read, The Mistletones sing, and there are cookies and hot cocoa at intermission. Ticket sales support Rosie’s Place, which opened in 1974 as the first women’s shelter in the United States. Disney’s The Muppet Christmas Carol in Concert plays Symphony Hall on Sunday, Dec. 27 and Monday, Dec. 28, both at 2 PM, with the Boston Pops and conductor Lawrence Loh. Michael Caine is Scrooge, Kermit is Bob Cratchit, and Gonzo narrates as Dickens with help from Rizzo the Rat. The songs are by Paul Williams, who also wrote “Rainbow Connection.” For a spookier night, Massachusetts Poet Laureate Regie Gibson reads two Victorian Christmas ghost stories at Old North Church on Saturday, Dec. 12 from 7:30 to 8:30 PM. One is Dickens’s The Goblins Who Stole a Sexton, which the church calls a sinister precursor to A Christmas Carol. The other is A.M. Burrage’s Smee, where a Christmas Eve game of hide-and-seek in a dark mansion goes very wrong. Josiah Reibstein leads an ensemble playing a live original score. Everyone sits in the church’s box pews. A single ticket is $36, and private pews are $100 for three, $130 for four or $160 for five. For $12 more, a 20-minute crypt tour at 6:30 PM takes you beneath the floorboards to 37 brick tombs holding the remains of 1,100 early Bostonians. Three of the city’s oldest drinking and dining spots sit within a block of each other near Creek Square, according to the Historical Marker Database, a short walk from the Parker House. The Bell in Hand was founded in 1795 by Jimmy Wilson, the city’s last known town crier, and its marker says the only time it ever closed was Prohibition, from 1920 to 1933. Women were not allowed in until the late 1960s, and in the early days last call was 9 PM and the last round was on the house. Union Oyster House has served food since 1826 and calls itself America’s oldest restaurant. Daniel Webster was a constant customer at its oyster bar. Around the corner, The Green Dragon Tavern carries the name of the tavern established in 1654 where, its site says, plans for the march on Lexington and Concord were overheard. Across the river in Charlestown, Warren Tavern dates to 1780, calls itself the oldest tavern in Massachusetts and says it once welcomed George Washington and Paul Revere.

5 best Korean BBQ restaurants in Boston

Korean BBQ in Boston can mean settling in around a grill with several cuts of beef and pork, or ordering a plate of bulgogi with a bowl of stew. Those are different meals, and choosing the right restaurant starts with knowing which one you want. These five places cover Boston, Cambridge and Medford. Naksan has staff cook the meat for you. Sura offers all-you-can-eat barbecue. Seoul gives downtown diners barbecue combinations alongside a much broader menu. Gather people who are willing to share, then work out the order together. Naksan Korean BBQ is on Commonwealth Avenue, where staff handle the cooking at your table. Its beef and pork combinations come with egg soufflé and a choice of kimchi or soybean stew. For a bigger meal, the Grand Tour adds beef tartare with caviar, several beef cuts and ice cream. Japanese A5 Wagyu is another option. This is a place to look at the combinations before adding separate dishes. Let the size of your group and the cuts you want guide the order. Naksan’s reservation policy says Friday and Saturday dinner is walk-in only, and parties larger than seven should call. Sura Korean BBQ in Medford is the all-you-can-eat choice on this list. The Boston menu currently lists a $30 regular package and a $40 premium package per person, before additional charges such as tax and drinks. Everyone in the party must choose the same package. Premium adds short-rib options and beef tongue. You select meat from the self-service area and cook it at your table. The meal also includes the appetizer and salad bar and made-to-order Korean dishes, including pancakes and steamed egg. Reservations are offered. Start with a manageable selection; you can decide what to repeat after the first round. Korean Garden in Allston offers both tabletop barbecue and dishes cooked in the kitchen. The barbecue menu lists short ribs, beef brisket, pork belly, chicken and shrimp, with a minimum of two orders for table cooking. The broader menu includes kimchi pancakes, rice cakes, soups and bibimbap, which helps when a group wants more than grilled meat. Its posted hours run later Thursday through Saturday than on the other nights. Confirm the last kitchen order if you are heading over late; the closing time alone does not tell you when a full barbecue meal can still begin. Koreana gives Cambridge diners a tabletop barbecue option on Prospect Street near Central Square. The built-in grills have ventilation above the cooking area, and the menu includes galbi, bulgogi and pork belly. Seafood scallion pancakes, cold noodles and tofu stews give you several ways to round out the meat order. Choose it for a meal where the table is sharing, rather than trying to fit barbecue into a rushed lunch. Ask the restaurant about the grill setup and ordering requirements when arranging your visit. A pancake for the table and a couple of different meat dishes make a more varied starting point than everyone choosing the same thing. Seoul Restaurant on Cambridge Street offers Korean barbecue plates alongside sushi, noodles and stews. The barbecue combinations pair choices such as beef bulgogi, pork belly or LA kalbi with soft tofu stew, cold noodles or stone-pot bibimbap. That gives you a way to order barbecue as part of a complete individual meal. It is a useful downtown option when everyone wants a different dinner. One person can choose a barbecue combination while another orders soup or sushi. Reserve through the restaurant’s website if you are planning an evening visit, and specify what kind of meal you have in mind. Before booking Korean BBQ in Boston Ask for a barbecue table if you want the grill, and confirm any minimum order before sitting down. Compare the price of a meat combination with its recommended party size, rather than assuming every listed price is per person. At an all-you-can-eat restaurant, agree on the package with everyone at the table and order quantities you expect to finish. For drinks afterward, our Boston speakeasy guide includes choices in Boston and Somerville. If part of the group would rather skip barbecue, the restaurant guide offers shared plates and other dinner options.

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Candlepin bowling gives you three chances to miss

Candlepin bowling gives you a small ball, ten thin pins and three chances to discover that this is harder than it looks. The ball fits in your hand without finger holes. The pins seem obligingly narrow until you realize how much space there is to miss them. The biggest surprise comes after the first roll. Fallen pins generally stay on the lane, where they can help knock down the ones still standing. The mess is part of the game. Learn to use it before asking someone to clear it away. How candlepin bowling works A game has ten frames, with up to three balls in each. Knock down all ten pins with your first ball and you have a strike. Do it with the first two and you have a spare. Clear them with all three and you have ten for the frame, without a strike or spare bonus. That third ball is not a free spare attempt. It lets you finish the frame and collect more pins, but it does not turn three throws into two. People arriving from tenpin bowling sometimes need a moment with that distinction. The International Candlepin Bowling Association’s rules explain which fallen pins remain playable and which must be removed. You also have to wait for the wood to stop moving before rolling again. Let the last pin finish its argument with gravity. For a first visit, you do not need to memorize every official ruling. Ask the desk to explain the reset button and scoring before starting. Knowing when to leave the pins alone saves confusion and preserves the next player’s turn. The fallen pins change your next shot A standing pin may look isolated, but a fallen one can give you another way to reach it. Instead of aiming only at the upright target, look at what lies around it. A useful piece of wood can turn a difficult leave into a manageable shot. The reverse happens too. A pin lying across the lane can interfere with the path you wanted. Each roll changes the arrangement, so your next attempt is not necessarily a repeat of the last one. The light ball makes the game approachable for a new bowler. It does not guarantee an easy score. You are sending a small object a long way toward a set of slender targets, then working with whatever remains. Bringing friends supplies witnesses, who will probably remember the misses. Worcester gets the origin story Candlepin belongs to the wider New England bowling tradition rather than to Boston alone. The Museum of Worcester credits Justin “Pop” White, who owned a pool hall on Pearl Street, with inventing the game in Worcester in 1880. The museum’s account places the sport in a neighborhood business, not a professional stadium. That scale still suits a game you can learn during an evening out. You can take the score seriously, or spend the next frame trying to explain the last one. Where to try it around Boston Sacco’s Bowl Haven in Davis Square combines candlepin lanes with American Flatbread’s wood-fired pizza. The operator dates the bowling alley to 1939, and the old name remains part of the business. It is a useful choice when the plan needs to accommodate both bowling and dinner. Sacco’s bowling reservation page explains how its lanes are booked. Treat a bowling reservation and a dining plan as separate arrangements unless your confirmation says otherwise. A table does not automatically give your group a lane. Boston Bowl on Morrissey Boulevard in Dorchester offers both candlepin and tenpin bowling. Specify candlepin when making plans so you get the smaller balls and the rules described here. The venue’s bowling information distinguishes the two formats. Wear the required bowling shoes, keep food and drinks away from the approach, and ask staff about anything that has stopped working. Then give the fallen pins a second look. One of them may be more useful on its side.

Order a milkshake in Boston and you might be missing the ice cream

Order a milkshake in Boston at a shop that still keeps the old distinction and you can get exactly what you asked for: milk and flavoring, beaten until it foams. No ice cream. The thicker drink, the one visitors usually mean, is a frappe. Not every counter still bothers. Plenty of menus now use milkshake the way the rest of the country does. The shops that list both drinks are not offering two sizes of the same thing. Those are the last places where a milkshake in Boston and a frappe are different orders. What goes into a milkshake in Boston The traditional local milkshake is milk plus a flavoring, often chocolate syrup, shaken or blended until air gets into it. A frappe adds ice cream. Yankee’s account of the two drinks is useful on a point people skip: the milkshake is not a glass of chocolate milk. Stirring syrup into milk mixes the ingredients. Blending them is what makes it a fountain order. If a menu lists both, look at the prices before treating the cheaper one as a deal. You may be comparing a milk drink with one that has scoops in it. Say “frap” The regional drink is one syllable, rhyming with map. The American Heritage Dictionary records that pronunciation and treats the noun as regional usage, mapping it to Rhode Island and southeastern Massachusetts. Shops in Boston still put it on the board. That entry is a different word from “frappé,” two syllables, which the same dictionary defines as a frozen fruit dessert or a drink poured over shaved ice. The spelling overlap is how visitors end up performing French at a Jamaica Plain counter. A shop owner paid for the lesson Vincent Petryk, who later opened JP Licks, learned the difference as a newcomer from Philadelphia. Boston.com reported that he ordered a milkshake at Bailey’s in the 1970s, saw that it cost half as much as the frappe, and then asked where the ice cream was. Bailey’s is gone. The mix-up is not. The same report found “frappe” in late-nineteenth-century Boston Globe pages attached to chilled and partly frozen drinks, including alcoholic ones, long before it settled on the ice-cream version. Recipes a few years later included cafe frappes and pineapple frappes, sometimes with a scoop of ice cream already in the mix. Boston University food scholars told the paper that regional names for ordinary foods were common before national food media flattened the vocabulary. Megan Elias, who directs BU’s gastronomy program, pointed to a 1920s overlap: Prohibition pushed people toward new places to sit, and electric equipment made ice cream cheaper to produce in volume. Soda fountains did well in that gap. The scholars also said the exact reason this particular word stuck here is not established. There is no inventor to toast and no afternoon when Boston renamed the milkshake. The term showed up in more than one drink, attached itself to the ice-cream one, and stayed. The word is still on the menu JP Licks still lists a regular frappe, an extra-thick frappe, and an espresso frappe, separate from smoothies, frozen coffee, ice-cream sodas, and floats. Extra-thick is a texture, not a citizenship test. In 2023, Mark Parrish, president of Crescent Ridge Dairy in Sharon, told Boston.com his shop still served the ice-cream-free milkshake next to the frappe and asked customers which they wanted. He also said tourists, students, and younger customers increasingly ask for a milkshake. Other counters have given up and will put ice cream in whatever you called it. Rhode Island complicates the map again. In parts of that state, and into southeastern Massachusetts, the ice-cream drink is a cabinet. Same general idea. Different word. This is the same class of local vocabulary as why Bostonians say “wicked.” Get the word wrong and you can still have a conversation. Get this one wrong and you may drink a glass of flavored milk. If the menu says milkshake and you want ice cream in it, ask. You do not need to win the regional argument first.

The famous Boston accent and its obsession with the letter R

Say “car,” then say “car engine.” For someone with a traditional Boston accent, the R can disappear in the first version and return in the second. The next sound makes a difference. That detail gets lost in plenty of Boston impressions. Removing every R gets you only so far, and eventually gets you somewhere nobody here is from. The accent has patterns involving consonants, vowels, and the way words meet in a sentence. It also varies considerably among the people who use it. Which R’s does the Boston accent drop? Linguists call the traditional accent non-rhotic. In ordinary terms, speakers often leave out an R after a vowel when another consonant or a pause follows. Think of “park,” “card,” or “car” said on its own. The R at the beginning of “red” stays. So does the one in “bring.” A Boston speaker is not applying a blanket ban to the letter. An R can also return at the end of a word when the next word starts with a vowel sound. In “car engine,” the words connect through the R. This is called linking R, a pattern also found in other non-rhotic English accents. Try saying the phrases naturally rather than giving each word its own pause. The difference is easier to hear in a sentence than in a list of words written with “ah” at the end. And where do the extra R’s come from? Then there is intrusive R: an R sound between words where no R appears in the spelling. “The idea of it” can sound like “the idear of it.” The vowel at the beginning of “of” creates the setting for that extra sound. It does not mean every Boston speaker says “idear” whenever the word appears. The University of York’s explanation of linking and intrusive R describes how one pattern developed from the other. Speakers extended an existing way of joining vowel sounds to words that did not have a written R. The extra consonant helps two vowel sounds meet. It follows a pattern, rather than arriving wherever an actor decides to put it. The vowels matter, too Listen to “cot” and “caught.” For many traditional Boston speakers, those words sound alike. That shared vowel is another important part of the accent, although it receives considerably less attention than “pahk.” Some speakers also use a broad A in words such as “bath” or “half,” bringing the vowel closer to the one in “father.” These features are not a checklist every Bostonian completes. A person can have a recognizable local accent without using all of them. You can hear examples in WBUR’s recordings and explanation of Boston speech, which includes Dartmouth linguist James Stanford discussing the sounds. Listening is more useful than trying to reconstruct an accent from exaggerated spelling. How Boston came to sound this way Boston speech belongs to the broader Eastern New England dialect region. Its history includes the English spoken by early settlers and the region’s continuing connections with England. Boston University linguist Neil Myler points to settlers from East Anglia as an important influence on the region’s R-dropping speech. Stanford also emphasizes the close contact Boston maintained with southeastern England, where non-rhotic pronunciation gained social prestige. That history helps explain the connection, but the accent has continued changing here. The way someone speaks also reflects their family, community, education, and social surroundings. Four centuries of Boston life did not leave the original dialect untouched. “Wicked” and “frappe” are a different part of the story An accent concerns pronunciation. A dialect includes vocabulary and grammar as well. “Wicked,” used to mean very or extremely, is vocabulary. In “wicked cold,” it increases the force of “cold.” It does the same job in “wicked expensive,” with less pleasant financial implications. “Frappe” is another regional word, pronounced “frap” in the familiar local usage. Merriam-Webster records both that pronunciation and the thick-milkshake meaning. Someone can order a frappe, complain that it is wicked expensive, and pronounce every R. Knowing the words and having the accent are separate things. Not everyone raised here sounds the same Research has documented differences across age groups and communities. In a 2010 study of Boston and two New Hampshire towns, linguists Naomi Nagy and Patricia Irwin found that younger speakers pronounced more post-vocalic R’s than older speakers. Education and other social factors also mattered. Those results concern the people in the study, rather than every younger person in Boston. They also measure one feature: someone who pronounces more R’s can retain other local sounds. The accent does not disappear the moment one pronunciation changes. For some people, sounding local is a source of pride. Others have felt pressure to soften their pronunciation to avoid being judged. Both experiences help explain why a city can have such a recognizable accent without all its residents sharing it. Pronouncing the R in “Dorchester” does not cancel out having grown up there.

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